JUSTIN LACY | The Beatles
Justin Lacy - singer/songwriter - Wilmington, NC - Control Burn - Overgrown - Slow Dance
Justin Lacy - singer/songwriter - Wilmington, NC - Control Burn - Overgrown - Slow Dance
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Virtual Recital No. 1: ‘Ob La Di, Ob La Da’

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I remember going over to a friend’s house in high school to check out some of the homemade hip-hop he was creating on his desktop PC, layering beats, samples, vocals, and instruments across multiple tracks in a program called Mixcraft to create the illusion of an entire ensemble playing together.
 
photo 1.PNGIt was my first encounter with “multi-track recording,” a concept pioneered by Les Paul, Mary Ford and Patti Page in the 1950s when they began enhancing their session recordings by overdubbing vocals and instruments. For them, and subsequently, the entire recording industry, it was a chance to achieve higher fidelity by recording each instrument individually. For me, it was a chance to make the music I wanted to make on my own. I went home, downloaded Mixcraft, borrowed my mom’s headset microphone, and began experimenting, writing and recording sloppy, but original songs by tracking electric guitars, acoustic guitars, percussion, baselines and vocals.
 
Last October, I introduced six of my younger students to the process of multi-track recording when I arranged the Beatles’ “Ob La Di, Ob La Da” into multiple parts. They each practiced their part with the photo 2.PNGdreaded metronome – a necessary evil in the process of multi-track recording, as the metronome, or “click track,” glues everything together to create the illusion of multiple performers playing in one room.
 
For all I know, Millie Bennett (age 8 at the time, pictured above) and Ethan Sikka (age 11, pictured above right) have never been in the same room together. Our arrangement of “Ob La Di, Ob La Da” begins with Ethan on fingerstyle classical guitar accompanying Millie’s syncopated ukulele melody. Millie passes the melody off to her brother, Charlie (age 10, pictured right) and Chase Bonhotel (age 12). Matthew Messenger (age 14) provides a lower harmony of the melody, while Will Brite (age 12) strums along on acoustic rhythm guitar.
 
After some digital touch ups in Logic Pro, I added MIDI bass and drums, and voila: “Ob La Di, Ob La Da,” performed by a virtual band that never even rehearsed in the same room together. Check it out:
 

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Love is All You Need

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On August 16, I had the privilege of performing my own arrangement of The Beatles’ “All You Need is Love” as Richelle Davis walked down the aisle on a quaint Pennsylvania farm to wed my good friend and former room- and bandmate, Adam Powell.
 
Throughout our trip, fellow groomsman Andrew Zucchino and I learned a lot about PA culture. We saw Amish riding horse-drawn buggies, and we ate at a buffet run by Mennonites (it’s important to distinguish that it was Mennonite-run, not Mennonite-cooked). Above, Andrew expresses his take on the PA life with an approximation of what a Pennsylvanian Mormon might look like serenading two brides-to-be.
 
All PA-religion jokes aside, it was a beautiful day for everyone involved, and I was thrilled and honored to participate as a groomsman and performer. Per Adam and Richelle’s request, I arranged this Lennon/McCarney song – though I gather it’s mostly Lennon’s – specifically for their ceremony, timing the verse out to accompany the wedding party, and the chorus to accompany the bride. I tried to anticipate Richelle’s arrival by placing an appropriate Wagner quote in the pre-chorus. See if you can catch it:
 
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